Aszmara Bio

    "Dance is emotion in motion" describes accurately the quality of Aszmara’s dance. She is one of New York’s best interpreters of the ethnic dance. She impresses through her expressive stage presence and interprets the music with her own blend of modern and ethnic Arab and Turkish dance. The New York Times describes her dance as "intense".

    As one of the leading figures in the field of the Oriental Dance, she is also one of the founders and principal dancers of the AMMED Award Winning Middle Eastern Dance Company, Oriental Images as well as co-founder/co-director of SaZ Dance Theatre, a multi-cultural woman’s dance company.

    Her teaching style is highly energetic. As a master teacher she teaches master and beginner’s classes with the same enthusiasm. Her workshops, thus, are highly appreciated both by professional dancers as well as by beginners.

    Aszmara performs amd teaches workshops regulary in the USA and in almost all of Europe. With Transition she has been performing as a solo dancer regularly since 1989. Whenever she performs, there is an electric excitement of music and dance created in the space between choreography and improvisation.

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National Performance & WorkshopsAsz Arc Veil Postcard.JPG (110179 bytes)

 

Dance Companies

Oriental Images Workshops & Concerts

artistic and co-artistic director with Carmen & Majda, choreographer, producer, performer & instructor for over ten years

SaZ Dance Theatre

co-artistic director with Robert Koch, choreographer, producer & performerOf Hope.TIF (343180 bytes)

NYC Evening Length Productions of:

 

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“Aszmara, an internationally known dancer, provided one of the highlights of the day with an exquisite solo. Using every inch of her eloquent body she clarified the music in all its depth and richness.”   Reading Times, PA

“There were several vivid solos. ‘Herosi Bar,’ choreographed and performed by Aszmara... began languidly, then grew increasingly intense.”     Jack Anderson, New York Times

“Aszmara... respected for their high production value and their repertory of dances spanning the Middle Eastern spectrum”    Arabesque Magazine, NY

“... frenzied moments surfaced when Aszmara made full use of theatrical possibilities of the finger-cymbals and swirling chiffon costumes of her own design.”     The Irish Times, Dublin

“She is the most beautiful... and dances so, that one is first in the story of a Thousand and One Nights.”    Zurich Press, Switzerland

“... a fire red whirlwind is Aszmara. Her artistic movements go beyond this dance.”    Neue Zurcher Zeitung, Switzerland